This annual round up is just about the only remaining item of consistency on this blog. Over the past few years, the formula for my show-going frequency has followed a pattern of n-3, where n= the number of shows I went to the previous year (i.e. 28 shows in 2010, 25 shows in 2011, and 22 shows in 2012), so my best of list is getting shorter. This post is an amalgam of best shows and interesting things that I saw at shows (through the hazy filter of Instagram, of course).
I started out the concert year in Seoul, where I was very entertained by the innovative coat check at the city’s electronic music festival, and my friend’s friend’s Korean Justice banner. I also made it a point to see a few favorites again (Radiohead, Washed Out), but surprisingly, these shows did not make much of an impression on me. I can’t fault Radiohead; I think that even with floor tickets, the HP Pavilion is not the ideal place to see them. For the first time, I saw a few acts on my “must see” list, the Flaming Lips at the Bridge School Benefit, and Fiona Apple on her Idler Wheel tour, but similarly these do not demand more than a footnote. As J’s sidekick, I also saw a few of his favorite bands, Spiritualized, Animal Collective, and Metallica (where ash and soot from the pyrotechnics had me blowing out black snot from my nose the next day).
Here are the 6 “top,” aka notable shows, of 2012 (from very good to best):
6. M83 at NSSN – I saw M83 twice this year, but I have very little memory of the first time that I saw them at the Fillmore. While a Live 105 show is not my ideal concert experience, they were excellent at NSSN (the true headliner), and like other French electronic bands, they were more of a “jam band,” when performing live.
5. Cat Power at the Fox Theatre – This was the election night party in Oakland. I was pretty surprised by this show because Chan Marshall came out with a cropped, Girl with the Dragon Tattoo cut, instead of her trademark straight across bangs and long-hair. Cat Power’s music was angrier than I expected and matched her look (and perhaps her health and financial woes). Cat Power is crazy; and for her music, this is a good thing.
4. Tamaryn at the Independent – The band’s music is strong and their new album was on heavy rotation in my playlist this year. Live, Tamaryn has the whole moody blond-hair covering her face, midriff bearing aesthetic rocker look down.
3. The Weeknd at the Warfield – I was hooked on the Weeknd the first time that I heard a Flunk sample in one of his songs. Seeing him live, I am convinced that he’s the next Michael, the next Prince, and that this was the last chance to see him in a non-arena sized venue. J commented that R&B shows were weird because the audience was a sea of smartphone video screens for the duration of the show. His opener, Nosaj Thing, was the best opener of the year, and someone that I look forward to seeing again.
2. Philip Glass, Tim Fain, and Joanna Newsom at the Warfield (benefit show for the Henry Miller Library) – The most civilized show of the year; a seated show at the Warfield. My favorite part was Glass’s performance of this work, featuring Allen Ginsberg:
1. Pulp at the Warfield – Back when I saw them in April, I knew that this would be number 1, since it is easily one of my top 5 concerts ever. So, I did a full write-up to memorialize the experience back then.
Overall, I’m a bit surprised that the top 3 slots were very different acts at the same venue, the Warfield. Then again, the Warfield’s similarity in terms of layout, age, and beauty to the Fox Theatre in Oakland, highlights how atrociously bad the sound system is at the Fox. Every year, I vow to not see shows at the Fox, since they manage to make great bands sound terrible, but I find myself back at the Fox for a show or two. My concert-going wish for 2013 is that the Fox puts some money into upgrading / fixing their sound.
‘Til next year, EC